A couple of these may count as spoilers.
1. Give the aliens some more definition.
2. Give Liam Neeson more to do.
3. Scrap the decision to set a scene to the theme from The Pink Panther.
4. Don't hire Steve Jablonsky to do the music (see also: any other production that does this).
5. Lose the "Transformers meets Dad's Army" climax, especially since one particular move was done better in Fair Game.
6. Keep an F-word in the movie.
7. Have people worth cheering on (no one here, except for the amputee ex-soldier and the geeky guy from the observatory, really qualifies).
8. As someone suggested, have a Rihanna/Brooklyn Decker makeout scene (the two never appear together). Did "Te Amo" (with Rihanna and Laetitia Casta) teach you nothing?
9. Include the star of Rihanna's only other movie to date. Seriously, this film could have benefitted from the ever-likeable and ever-hot Hayden Panettiere, cheerleading (Bring It On: All Or Nothing) or no.
This blog is not affiliated in any way with Cindy Crawford. Even if she is its de facto inspiration. It's also not affiliated in any way with Hayden Panettiere, who's earned joint top billing on this blog because she makes me happy. And that ain't easy.
Showing posts with label movie reviews. Show all posts
Showing posts with label movie reviews. Show all posts
Monday, April 30, 2012
Saturday, October 03, 2009
The Seven Reasons To See "Julie & Julia" Post.
1. It helps redeem Nora Ephron after scripting the overrated When Harry Met Sally... (and after what she did to Bewitched).
2. Amy Adams's performance, which more than makes up for Meryl Streep's overpraised comic turn (was the real Julia Child really the spiritual ancestor of Gladys from Sesame Street?).
3. Stanley Tucci as Mr. Child.
4. Alexandre Desplat's music.
5. The food!
6. The warmth and appeal it's full of.
7. Amy Adams lying face down on her bed in denim jeans, and later lying down in a shirt and nothing else. Does she even know how sexy she is?
2. Amy Adams's performance, which more than makes up for Meryl Streep's overpraised comic turn (was the real Julia Child really the spiritual ancestor of Gladys from Sesame Street?).
3. Stanley Tucci as Mr. Child.
4. Alexandre Desplat's music.
5. The food!
6. The warmth and appeal it's full of.
7. Amy Adams lying face down on her bed in denim jeans, and later lying down in a shirt and nothing else. Does she even know how sexy she is?
Sunday, August 23, 2009
The Bandslam Post.
Bandslam was the second time I've ever seen Aly Michalka in a non-Disney context; the first time was when she was on London Tonight promoting Bandslam. The film itself, despite coming with a trailer for New Moon attached, has turned out to be something of a box office dud on both sides of the Atlantic (a fate doomed to be shared by I Love You, Beth Cooper thanks partly to the reviews - most of which, mercifully, didn't go after my girl Hayden (though woe betide Chris Tookey and Nicholas Barber if I meet them) - but mostly to it not being on many screens in London... and thanks to my unwillingness to see anything in its first week of release I'll have to wait until next weekend!); for which some have blamed the marketing. Others blamed the casting of Vanessa Hudgens.
I blame the marketing - for a start, you know the poster art featuring Aly, Vanessa and Gaelan Connell proudly on stage? Doesn't really happen in the movie. Plus the movie's official UK website doesn't help reduce any High School Musical connotations, although the movie itself is overall better written (by Josh A. Cagan and director Todd Graff, from the former's story) and more filled with what's called "real" music in some corners. The trouble with the movie is that it's more interesting with its story and characters than with... you know... the music. Relationship between Aly and Gaelan's characters? Yes. Vanessa's edgy persona (a nice change of pace for her, really)? Yes. The whole "Dewey" thing? Yes. The actual musical numbers? Not really that rousing - even in the climax. (Also, when they're in CBGB's and the hero says there wouldn't have been U2 or The Killers without it... so it was them!)
Can't fault the singing, though, or most of the acting. And it passes the time well enough - too bad David Bowie still can't act. And too bad Aly's character is ultimately more interesting than Vanessa's. And too bad it had to come in the wake of the passing of John Hughes... but it still deserved to do a little better than it did.
I blame the marketing - for a start, you know the poster art featuring Aly, Vanessa and Gaelan Connell proudly on stage? Doesn't really happen in the movie. Plus the movie's official UK website doesn't help reduce any High School Musical connotations, although the movie itself is overall better written (by Josh A. Cagan and director Todd Graff, from the former's story) and more filled with what's called "real" music in some corners. The trouble with the movie is that it's more interesting with its story and characters than with... you know... the music. Relationship between Aly and Gaelan's characters? Yes. Vanessa's edgy persona (a nice change of pace for her, really)? Yes. The whole "Dewey" thing? Yes. The actual musical numbers? Not really that rousing - even in the climax. (Also, when they're in CBGB's and the hero says there wouldn't have been U2 or The Killers without it... so it was them!)
Can't fault the singing, though, or most of the acting. And it passes the time well enough - too bad David Bowie still can't act. And too bad Aly's character is ultimately more interesting than Vanessa's. And too bad it had to come in the wake of the passing of John Hughes... but it still deserved to do a little better than it did.
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