But before I post, belated happy birthday to Paula Abdul - 46 yesterday. It seems like only yesterday I was swooning over her in the videos for "Opposites Attract" et al; if only "Dance Like There's No Tomorrow" wasn't so lame. I'd still rather her than yet another playing of "Bleeding Love," however. And at least she's gotten back in the spotlight without stripping off for Playboy like Jody Watley, Belinda Carlisle, Debbie Gibson and Tiffany did (which really didn't do much for them in the long run, Ashley Harkleroad take note). Not that I'd complain too much if she did...
Okay, so in four weeks I'll be off in the Caribbean for Sharon's 40th and I'll probably have decided by then if I want to be there for my 40th next year. But in the more immediate future I've got to pack, and more importantly decide what to take to listen to. And, of course, get Gossip Girl and Ghost Whisperer on the Sky planner.
Listening to stuff... like The Delta Force when I manage to pay for it. Intrada's 1000-copy Signature Edition of Alan Silvestri's all-synth score for the '86 epic sold out like that from them and practically every other dealer, so I got lucky. What with that and my plan to order Iron Eagle next week (finally out, a mere 22 years after it should have been released!), it'll be a musical blast next month.
This blog is not affiliated in any way with Cindy Crawford. Even if she is its de facto inspiration. It's also not affiliated in any way with Hayden Panettiere, who's earned joint top billing on this blog because she makes me happy. And that ain't easy.
Showing posts with label Paula Abdul. Show all posts
Showing posts with label Paula Abdul. Show all posts
Friday, June 20, 2008
Thursday, July 12, 2007
Paula, we hardly knew ye
Last week, Paula Abdul was the guest host on The Friday Night Project on Channel 4 (the show is being repeated as I write this, but see the results for yourself on YouTube). This would usually have been the cue for me to be glued to the set... just shows you how times change.
I'm happy that she's gotten famous again after her early '90s heyday (not only did I get several letters in Fresh! [US "urban" music magazine, sort of like the poor man's Right On! defending her against that twat Janet Jackson], but I got my first penpal through sharing a common interest in her), but it's sad that it's due more to her being a judge on a reality TV update of Opportunity Knocks and her personal problems - the polite term - than to her music and dancing gifts. Yes, she hasn't had an album out since Crazy Cool tanked, and The Waiting Game isn't exactly Angels in America as far as TV projects go (and Bratz: The Movie? How the mighty have fallen)... the days of choreographing the Oscars (as she did in 1990) and American Beauty are a long time ago. And now that the Bravo show's bombing, even longer.
But dammit, I want my Paula back! I want to be sitting here glancing at still-quite-cute-now-she's-45 Paula while listening to Paramount Pictures 90th Anniversary Memorable Scores ("Hard to Starboard" from Titanic - which is only part-Paramount really since they merely chipped in $65 million to help out Fox when everyone thought it would flop... but anyway) and I want to be feeling guilty. And I do. But not enough to stop.
Enough, though, to wish Avril Lavigne wasn't on this show (her body is beautiful but her music ain't). And enough, alas, to probably check out that Bratz flick.
I'm happy that she's gotten famous again after her early '90s heyday (not only did I get several letters in Fresh! [US "urban" music magazine, sort of like the poor man's Right On! defending her against that twat Janet Jackson], but I got my first penpal through sharing a common interest in her), but it's sad that it's due more to her being a judge on a reality TV update of Opportunity Knocks and her personal problems - the polite term - than to her music and dancing gifts. Yes, she hasn't had an album out since Crazy Cool tanked, and The Waiting Game isn't exactly Angels in America as far as TV projects go (and Bratz: The Movie? How the mighty have fallen)... the days of choreographing the Oscars (as she did in 1990) and American Beauty are a long time ago. And now that the Bravo show's bombing, even longer.
But dammit, I want my Paula back! I want to be sitting here glancing at still-quite-cute-now-she's-45 Paula while listening to Paramount Pictures 90th Anniversary Memorable Scores ("Hard to Starboard" from Titanic - which is only part-Paramount really since they merely chipped in $65 million to help out Fox when everyone thought it would flop... but anyway) and I want to be feeling guilty. And I do. But not enough to stop.
Enough, though, to wish Avril Lavigne wasn't on this show (her body is beautiful but her music ain't). And enough, alas, to probably check out that Bratz flick.
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