It's time for another Good Idea, Bad Idea. (At this point what with it being all over the Internet, spoiler alerts are a case of closing the door after the horse bolted.)
Good Idea: Putting two of modern cinema's most Callipygian performers, Jessica Alba and Kate Hudson, in a prestige project (The Killer Inside Me), thereby giving the former a chance to get taken something close to seriously for once and the latter a break from endless comedies (oh, and criticially and commercially disastrous all-star musicals).
Bad Idea: Having their characters get fucking beaten to death (Kate Hudson's first screen demise since The Skeleton Key [her body's intact but the character she plays is transferred into a soon-to-be-gone Gena Rowlands, remember] and Jessica Alba's first screen demise ever).
The End.
This blog is not affiliated in any way with Cindy Crawford. Even if she is its de facto inspiration. It's also not affiliated in any way with Hayden Panettiere, who's earned joint top billing on this blog because she makes me happy. And that ain't easy.
Showing posts with label sick fucks. Show all posts
Showing posts with label sick fucks. Show all posts
Tuesday, January 26, 2010
Saturday, August 11, 2007
Roger Ebert writes...
Remember the scene in A Clockwork Orange where Alex has his eyes clamped open and is forced to watch a movie? I imagine a similar experience for the architects of our catastrophe in Iraq. I would like them to see No End in Sight, the story of how we were led into that war, and more than 3,000 American lives and hundreds of thousands of other lives were destroyed.
They might find the film of particular interest because they would know so many of the people appearing in it. This is not a documentary filled with anti-war activists or sitting ducks for Michael Moore. Most of the people in the film were important to the Bush administration. They had top government or military jobs, they had responsibility in Iraq or Washington, they implemented policy, they filed reports, they labored faithfully in service of U.S. foreign policy and then they left the government. Some jumped, some were pushed. They all feel disillusioned about the war and the way the White House refused to listen to them about it.
The subjects in this film now feel that American policy in Iraq was flawed from the start, that obvious measures were not taken, that sane advice was disregarded, that lies were told and believed, and that advice from people on the ground was overruled by a cabal of neo-con goofballs who seemed to form a wall around the president.
The president and his inner circle knew, just knew, for example, that Saddam had or would have weapons of mass destruction, that he was in league with al-Qaida and bin Laden, and that in some way, it was all hooked up with Sept. 11. Not all of the advice in the world could penetrate their obsession, and they fired the bearers of bad news.
It is significant, for example, that a Defense Intelligence Agency team received orders to find links between al-Qaida and Hussein. That there were none was ignored. Key adviser Paul Wolfowitz's immediate reaction to Sept. 11 was "war on Iraq." Anarchy in that land was all but assured when the Iraqi army was disbanded against urgent advice from our people in the field. That meant that a huge number of competent military men, most of them no lovers of Saddam, were rendered unemployed -- and still armed. How was this disastrous decision arrived at? People directly involved said it came as an order from administration officials who had never been to Iraq.
Did Bush know and agree? They had no indication. Perhaps not. A National Intelligence report commissioned in 2004 advised against the war. Bush, who apparently did not read it, dismissed it as guesswork -- a word that seems like an ideal description of his own policies.
Who is Charles Ferguson, director of this film? A one-time senior fellow of the Brookings Institute, software millionaire, originally a supporter of the war, visiting professor at MIT and Berkeley, he was trustworthy enough to inspire confidences from former top officials. They mostly felt that orders came from the precincts of Vice President Cheney, that Cheney's group disregarded advice from veteran American officials, and in at least one case, channeled a decision to avoid Bush's scrutiny. The president signed, but didn't read, and you can see the quizzical, betrayed looks in the eyes of the men and women in the film, who found that the more they knew about Iraq, the less they were heeded.
Although Bush and the war continue to sink in the polls, I know from some readers that they still support both. That is their right. And if they are so sure they are right, let more young men and women die or be maimed. I doubt if they will be willing to see this film, which further documents an administration playing its private war games. No, I am distinctly not comparing anyone to Hitler, but I cannot help being reminded of the stories of him in his Berlin bunker, moving nonexistent troops on a map, and issuing orders to dead generals.
They might find the film of particular interest because they would know so many of the people appearing in it. This is not a documentary filled with anti-war activists or sitting ducks for Michael Moore. Most of the people in the film were important to the Bush administration. They had top government or military jobs, they had responsibility in Iraq or Washington, they implemented policy, they filed reports, they labored faithfully in service of U.S. foreign policy and then they left the government. Some jumped, some were pushed. They all feel disillusioned about the war and the way the White House refused to listen to them about it.
The subjects in this film now feel that American policy in Iraq was flawed from the start, that obvious measures were not taken, that sane advice was disregarded, that lies were told and believed, and that advice from people on the ground was overruled by a cabal of neo-con goofballs who seemed to form a wall around the president.
The president and his inner circle knew, just knew, for example, that Saddam had or would have weapons of mass destruction, that he was in league with al-Qaida and bin Laden, and that in some way, it was all hooked up with Sept. 11. Not all of the advice in the world could penetrate their obsession, and they fired the bearers of bad news.
It is significant, for example, that a Defense Intelligence Agency team received orders to find links between al-Qaida and Hussein. That there were none was ignored. Key adviser Paul Wolfowitz's immediate reaction to Sept. 11 was "war on Iraq." Anarchy in that land was all but assured when the Iraqi army was disbanded against urgent advice from our people in the field. That meant that a huge number of competent military men, most of them no lovers of Saddam, were rendered unemployed -- and still armed. How was this disastrous decision arrived at? People directly involved said it came as an order from administration officials who had never been to Iraq.
Did Bush know and agree? They had no indication. Perhaps not. A National Intelligence report commissioned in 2004 advised against the war. Bush, who apparently did not read it, dismissed it as guesswork -- a word that seems like an ideal description of his own policies.
Who is Charles Ferguson, director of this film? A one-time senior fellow of the Brookings Institute, software millionaire, originally a supporter of the war, visiting professor at MIT and Berkeley, he was trustworthy enough to inspire confidences from former top officials. They mostly felt that orders came from the precincts of Vice President Cheney, that Cheney's group disregarded advice from veteran American officials, and in at least one case, channeled a decision to avoid Bush's scrutiny. The president signed, but didn't read, and you can see the quizzical, betrayed looks in the eyes of the men and women in the film, who found that the more they knew about Iraq, the less they were heeded.
Although Bush and the war continue to sink in the polls, I know from some readers that they still support both. That is their right. And if they are so sure they are right, let more young men and women die or be maimed. I doubt if they will be willing to see this film, which further documents an administration playing its private war games. No, I am distinctly not comparing anyone to Hitler, but I cannot help being reminded of the stories of him in his Berlin bunker, moving nonexistent troops on a map, and issuing orders to dead generals.
Saturday, March 03, 2007
People suck.
Yes, it's wonderful that Mike is actually alive and not the victim of a car accident, but it rankles a lot that he was the victim of a joke like this. What kind of people think that spreading rumours about someone's death is funny? Huh? Is that how they get their jollies? Do these people have any lives that they have to go around and disrupt others?
He's the second person I know to have fallen victim to this (Jen being the first) and it doesn't get any more amusing. And the worst thing is, it'll make it a lot harder to believe initially if one of our circle of friends really does pass on. Thanks for cheapening death, wherever you are, you heartless tool.
He's the second person I know to have fallen victim to this (Jen being the first) and it doesn't get any more amusing. And the worst thing is, it'll make it a lot harder to believe initially if one of our circle of friends really does pass on. Thanks for cheapening death, wherever you are, you heartless tool.
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